Claude Bunny Massassa is a contemporary artist from Gabon. She created Bunny Studio in 2016, a start-up dedicated to photography production, which became DWABI Studio in 2021. As an artist, she has represented Gabon in many international exhibitions in Senegal, Uganda, France, the United States, and Italy. In her art, she denounces social stigmas around issues of identity and mental health, and explores themes of traditions and myths.
Executive Director Kimberly Aceves- Iñiguez has been passionately committed for over 20 years to social justice organizing and advocacy efforts that bring voice and power to youth, LGBTQ people, people of color, and working-class communities in the Bay Area. Before coming on as the Executive Director for RYSE, Kimberly served as the Executive Director for Youth Together, the founding organization of the RYSE Center.
Kanwarpal Dhaliwal is one of the co-founders of RYSE and currently acts as the Associate Director. She supports and guides the implementation and integration of healing-centered practices, grounded in racial justice and liberation, and also develops, promotes, and advocates for policies, investments, practices, and research that enliven healing, justice, and liberation. Kanwarpal believes that the purpose of her work and life is to contribute to movements, communities, and legacies of liberation that honor the ancestors who fought for her existence and survival, and to forge a world that is just and gentle for future generations.
Sagal Ali is the founder and executive director of SAF. After a few years in her career in heritage protection in the cultural sector, she decided to develop the initiative to directly support young creatives in Somalia by launching her own foundation. She hopes to bridge the social gaps and inequalities women face in Somalia, both in society and in the arts scene.
Co-founders Catherine Dunga and Marleen Palmaers created Kitambo to bridge the gap between the African diaspora in Colombia and the narratives from the continent. From Kinshasa and Antwerp respectively, they work to connect African artists from the continent and their peers from the Colombian diaspora.
Martha Kazungu is a curator, art Historian and Founder of Njabala Foundation, an organization that curates periodic exhibitions and organizes a public program of activities to create a safe space for female artists to thrive and blossom.
Alicia Hansen is a photographer and teacher from New York. She founded NYC SALT in 2008 and, beyond teaching valuable creative skills to her students, has developed a long-term support system to uplift them through school and into their early artistic careers.
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What we have done together
Originally seven giant-sized books made of blank, silent pages were made. A large writing desk, a lamp, a pen. One by one, people could approach the pages and leave their mark. They were invited to write as if it were the last time they could write by hand.
The focus is not so much on the words, but on the gesture, the flow of the pen on paper, recorded on video. When each book is completed, it is sealed, wrapped, and hidden in a secret place, as in a time capsule. Will the people who will find the books in thousands of years be able to decipher it?
“My proposal is neither educational nor moral, nor is it an objective analysis of society. Its purpose is the process. Writing interests me because it is a process. You start a sentence and … ”
Bili Bidjocka on Ecriture Infinie
Ecriture Infinie was presented for the first time in 2006 at the Mori Art Museum of Tokyo. Other volumes were presented at the Museet in Stockholm, and at the 2007 Venice Biennial, as part of Check List – Luanda Pop.
In 2010 Bili Bidjocka meets Moleskine and they begin a collaboration, for which Book 8 was created. It differs in size from the previous 7 books and is significantly smaller. Book 8 has made its first appearance at Festiva Letteratura di MantuaFestivaletteratura di Mantua in September 2011. Subsequently it was present at the Incroci di Civiltà Incroci di Civiltà in Venice in 2012 and at an International Literaturfestival in Berlin in 2013.
A special website is dedicated to the project: ecritureinfinie.org. The website is a sort of an experiment to connect the analogical and digital experience. It is a digital space that acts as an archive of the process of the infinite writing.
Simon Njami, Ecriture Infinie
The collaboration continues with lettera27 and Moleskine with Book 9 of Ecriture Infinie, which in October 2014 made its appearance within The Divine Comedy exhibition at SCAD Museum of Art in Savannah, Georgia, curated by lettera27’s advisor Simon Njami (October 16, 2014- January 25th, 2015).
Book 9 is a triptych, an ensemble of 3 large books that form one single book. Each book corresponds to a section of the exhibition and has the respective color code: white book for Paradise, red book for Purgatory, black book for Hell. The text of the Divine Comedy (in English language) is uploaded on an iPad installed next to the book. The visitors are invited to copy particular passages from the Divine Comedy onto the pages, in his or her own handwriting, reflecting on the personal meaning of the chosen text.
In 2015 Book 9 has travelled to The Smithsonian National Museum of African Art, where the exhibition took place from April 8th to November 1st.
Bili Bidjocka, Ecriture Infinie
Target Groups
General public, researchers in the field of cultural studies, aesthetics and neurolinguistics, cognitive psychologists, professional writers, and visual artists
Summary
Online platform
ecritureinfinie.org
Artist
Bili Bidjocka
Curator
Simon Njami
With the support of
Moleskine
Colophon
Partner
Festivaletteratura, Mantua
Incroci di Civiltà, Venice
Literaturfestival, Berlin
The Divine Comedy exhibition at MMK, SCAD, Smithsonian
Foto e video
Ecriture Infinie on Flickr
Ecriture Infinie Gallery
Bili Bidjocka on Ecriture Infinie
Simon Njami talks about The Divine Comedy
