News

The mother of all dances: Simon Njami on “Why Africa?”

A year of AtWork. Between Africa and the rest of the world

The journey of a man: Roberto Casati reflects on Dante’s metaphysics for The Divine Comedy

Io sto con la sposa (On the bride’s side), what about you?

The Director’s Eye: the winning project developments

The Divine Comedy: My Hell is the place of consciousness. Elio Grazioli interviews Simon Njami

Notes for an imagined city: the Ou Ning notebook at the Taipei exhibition

Afropixel #4 : art, écologie et biens communs pour la transformation sociale

Luoghi Comuni: the past and present of a project that is on the move

Paradise, Hell, Purgatory: African Artists Interpret the Divine Comedy